Roman Polanski is a master of thematic suspense. He knows exactly what to show you, and how to utilize tension that is barely there. Take for instance a scene where a character (who is in over his head) goes for a drive. The audience keeps looking around, waiting for the release that will never come. The Ghost Writer is the perfect example of the overused saying; it is not what we see that scares us, it is what we don’t. Read the rest of this entry »